CHASING MARY
Executive Producer: Ty Eckley
June 29, 1961, a rented two-door hardtop Buick rolls out of Livingston, Montana westbound on U.S. Hwy 90. The occupants, Mary Welsh Hemingway, husband Ernest and family friend/chauffeur George Brown begin the next to last day of the week-long automobile trip home to Ketchum, Idaho from Rochester, Minnesota where Ernest was hospitalized in Mayo Clinic. Mary leans forward from the back seat to sing softly in Ernest’s ear, futilely hoping to penetrate the gloom of his mental illness.
Meanwhile, fast forward to 2001. Mary Wells (a.k.a. MW), a postgraduate student at a vaunted Ivy League University, finds her faculty advisor is a devoted Ernest Hemingway aficionado. Though Ernest is of no interest as her topic, she is curious about his marriages. When the advisor presses her to declare her subject, she chooses Mary’s autobiography, How It Was, for her dual track literature-film/media doctoral dissertation. Irreverent, chafing at the expectations of her privileged upbringing, MW seeks her own identity to create a future beyond parental expectations.
As MW immerses in Mary’s book, she is amazed at the breadth of accomplishment in her own right well before becoming Ernest’s fourth and last wife. Drifting back to the mid-1960s, while Mary Hemingway clacks away at her autobiographical manuscript on her manual typewriter, she explains, “Hold on”, dear friends order me, “You haven’t told us anything about yourself.” Forty years before, Mary shouldered her way into the male dominated world of journalism. Adventurous of spirit professionally and in life, she forged her way into a volatile pre-World War 2 Europe to ply her trade, leaving two marriages behind along the way. Identifying with much of Mary’s story, the student soon finds herself struggling to separate reality from illusion, blending into those intersections as Mary’s companion in a state of magical realism.
In a metaphorical culmination, Mary suggests the student create a documentary retracing the entire trip alluded to in the opening scene as part of her dissertation. The poignancy of the Hemingway’s journey and its tragic conclusion, wrapped in the Americana of the route, results in a film that spills from academia into successfull screening at major film festivals in 2004, at last defining a clear path for MW’s life’s work.